Marko Presečki - glas Marin Kereša - piano, synth Ivan Vinković - bubnjevi Video montaža - Ivan Kovačić
četvrtak, 8. veljače 2018.
Fragmenti opsesije
Marko Presečki - glas Marin Kereša - piano, synth Ivan Vinković - bubnjevi Video montaža - Ivan Kovačić
Život poslije života 2017 kratki eksperimentalni film
Eksperimentalni film Život poslije života.
Režija/scenarij/snimanje/montaža: Ivan Kovačić
Penzija 2017 kratkidokumentarni
Dokumentarni film Penzija.
Režija/scenarij/snimanje/montaža: Ivan Kovačić
(m)Učenje 2017
Igrani film (m)Učenje.
Režija/scenarij/snimanje/montaža: Ivan Kovačić
Glumi: Marijan Krobot
Nije zlato sve što sja kratki film
Igrani film Nije zlato sve što sja
Režija/scenarij/snimanje/montaža: Ivan Kovačić
Glumi: Patrik Pavlović
ponedjeljak, 22. veljače 2016.
utorak, 26. kolovoza 2014.
Camera in movement
Because objects are in the distance, we have a weak sense of movement of the actor. Close objects increases the impression of movement. The impression of movement is stronger if the objects are in front of the actor.
Positions of actors without the establishing shot
The first actor is on the left side of the vehicle. The second actor is on the right side of the vehicle. The third actor is in the middle of the vehicle. We can see where are the actor without the establishing shot.
Detecting the position of actors
Unreveal the space
Viewers will be interesting if the space gradually unravel. If we show the whole space that won't be so interesting.
Orentation point
This is the first actor, actors in the background on the left are orientation point. This is the second actor, actors in the background on the right are orientation point. We see where the characters are without establishing shoot.
Actors behind one to another
We see two actors opposite each other. We now know that one actress is standing a front of the actor and one behinf the actor.
Working with lights
All the lights are off. Nowthe main light is turned on. Now the side-light is turned on on the other side. Now two lights are turn on, main and secondary. Now we are adding the backlight. The atmosphere can be changed by changing the color in the film. This is for example horror atmosphere.
Complicated handling with camera
This is a complicated handling of the camera. We see the three actors in the conversation. Although we have no establishing shot girl is used for orientation in space in this dialogue. Not using the girl as an orientation we would be lost.
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